SOUND DESIGN & CLEANUP
Viewers forgive a soft image sooner than bad sound. We clean dialogue, shape music and finish mixes so your films sound as considered as they look — on a phone speaker, in a store, anywhere.
Felt asWHAT IT INCLUDES
Interviews, testimonials and on-camera speech cleaned and leveled until every word is effortless to follow.
Hum, hiss, room echo, wind and handling noise reduced with a careful hand — cleaned, never processed-sounding.
Tracks cut, looped and shaped to the edit’s structure: builds where the picture builds, space where the message lands.
Product sounds, transitions and atmosphere added with restraint, then the whole mix finished to each platform’s loudness expectations.
AUDIO DISCIPLINE
If a word can be missed, the mix is not finished. Dialogue clarity outranks music, effects and atmosphere — always.
Hero film, cutdowns and social versions mixed to one standard, so your campaign sounds the same everywhere it plays.
Mixes are checked the way audiences actually listen — phones and laptops — not only on studio monitors.
OUR PROCESS
Your footage’s sound assessed with the picture: dialogue quality, noise, music and the finish each destination needs.
Noise, echo and level problems repaired at the source, clip by clip, before any creative work.
Sound design added with restraint; music shaped to the edit and balanced under dialogue.
Final mixes finished per destination’s loudness and format, delivered with the film or as finished audio for your edit.
CONNECTED FINISH
Audio finishing runs inside our editing workflow, so picture changes and sound changes never drift apart.
Reels and shorts mixed for the moment a viewer unmutes — music and voice balanced for small speakers.
A great deal can be improved — hum, hiss, room echo, wind and handling noise are routine cleanup — but badly recorded dialogue has limits that no processing fully removes. Send a sample with your brief and we will tell you honestly what standard the cleanup can reach before you commit.
Yes — supplied voice recordings are edited, cleaned, timed and mixed into the film as a standard part of finishing. Recording the voice itself stays with you or your chosen voice artist, so the performance and usage rights remain yours.
We edit and fit music you provide or license, shaping cuts and levels around it. Licensing for commercial use stays with you — and if a track’s license does not cover your intended use, we will flag it before the film is built around it.
Yes. Final mixes are finished to the loudness and format expectations of each destination agreed at brief stage, so the same film plays consistently on your store, social channels and paid placements without volume surprises.
Yes — tasteful sound design is part of finishing: transitions, product sounds, atmosphere and emphasis built to support the picture. For fashion and product work the rule is restraint: sound should be felt as quality, not noticed as effects.
A FILM THAT SOUNDS AMATEUR?
We will assess the audio honestly and tell you what cleanup can achieve before you commit.