Hand-Finished Cutouts
Your product is separated from its original background and edge-finished by a retoucher, keeping labels, materials and fine detail exactly as manufactured.
AI Creative Services
A clean packshot explains a product; a lifestyle image sells the life around it. We composite photographs of your real products into generated rooms and locations, matched for light and perspective, so your catalogue gains atmosphere without a location shoot.

The Problem
Lifestyle imagery is what turns a listing into a brand, but producing it the traditional way means locations, sets, props, shipping stock and a photographer for every range refresh. For most catalogues that cost lands on a handful of hero products, and everything else stays on plain backgrounds.
AI lifestyle compositing starts from the opposite end: a good photograph of your actual product. The product is cut out and finished by hand, then placed into a generated scene art-directed for your brand. Perspective, contact shadows, reflections and colour temperature are matched by retouchers, so the product reads as photographed in place — and one product can appear in many scenes without a single reshoot.
Your product stays real. Only the room around it is imagined, and a retoucher makes the two agree.
What You Get
Your product is separated from its original background and edge-finished by a retoucher, keeping labels, materials and fine detail exactly as manufactured.
Rooms, tables, shelves and outdoor settings are generated to your brand references — the light, props and mood your customers already recognise.
Contact shadows, reflections and colour temperature are built by hand so the product sits in the scene's light instead of floating above it.
One prepared product becomes spring, summer and holiday imagery, or entirely different locations, without rebuilding a set for each version.
Whole ranges composited into one consistent world, so a collection page or campaign feels art-directed rather than assembled from leftovers.
Finished scenes supplied in the crops your store, marketplaces and social channels each need, all produced from the same approved master.

Workflow
You send product photographs and the world they should live in: brand references, settings, mood and the channels the images serve.
Retouchers prepare the product cutout while scenes are generated to the agreed direction, ready for your approval on the first images.
The product is placed, scaled and lit into the scene, with contact shadows, reflections and colour temperature matched by hand.
Every composite is checked at full size — product truth, edges and light — before the set is approved and delivered.

Who It Is For
Compositing suits any catalogue where context sells: homeware that belongs in a room, skincare that belongs on a shelf, food and drink that belongs on a table. It gives smaller ranges the art direction usually reserved for hero products.
Deliverables
| Deliverable | Formats | Notes |
|---|---|---|
| Finished composites | JPEG, WebP | Store-ready lifestyle images at the sizes your channels require. |
| Layered masters | PSD, TIFF | Product and scene kept separable, so future variants start from your master. |
| Prepared cutouts | PNG, PSD | Your hand-finished product cutouts, reusable across scenes and projects. |
| Scene variant sets | JPEG, WebP | Seasonal and location versions of the same product, from one preparation. |
| Ratio families | Per channel | Store, marketplace and social crops produced from the approved master. |
Questions
Most packaged and hard goods work well: skincare and beauty products, candles, kitchenware, accessories, footwear and boxed items photograph cleanly as cutouts and sit naturally in a scene. Very reflective or transparent products need extra finishing care, which we will flag honestly after seeing your files.
Send clean photographs of the real product, ideally from the angles you want to show, on any simple background. We cut the product out and finish its edges by hand, so labels, logos and materials stay exactly as manufactured. The better the source photograph, the more truthful the finished composite.
Yes. A retoucher adjusts the product's scale, perspective and colour temperature to the scene, builds contact shadows where it meets the surface, and adds reflections where the setting calls for them. The goal is a product that looks photographed in place, not pasted onto a backdrop.
That is one of the main uses of the service. Once a product is prepared, we can art-direct spring, summer and holiday versions of the same scene, or entirely different rooms and locations, without booking a location, shipping stock or rebuilding a set for each variation.
We art-direct each scene from your brand references: the kind of room or location, the light, the props and the overall mood. You approve the scene direction on the first images before we produce the rest of the set, so the finished work follows your brand rather than a generic template.
No. Every composite begins with a photograph of your actual product, and the product itself is not regenerated or redesigned by AI. Only the surroundings are generated. Retouchers verify labels, colours and proportions against the real item before anything is delivered, and demonstration work is always labelled as such.
Send a few product photographs through the free trial of up to 5 images and tell us the kind of scene you have in mind. We return finished composites for your review, with notes on how a wider set or seasonal variants of the same products would be produced.
Browse the full AI production programme, from product photography and model imagery to video, enhancement and automation.
Explore the hub Related ServiceWhen a product needs a cleaner setting rather than a full scene: generated backgrounds matched for light, perspective and shadow.
See background generationFree Trial
Start with a free trial of up to 5 images: send product photographs and a scene direction, and judge the finished composites on your own range.