VFX & COMPOSITING
VFX & Compositing
the invisible work that saves the shot.
The best take has a cable in it. The perfect location has a sign you cannot show. We clean, repair and recompose filmed footage so the shot you chose is the shot you can use — with no trace of the rescue.
Removal
Replacement
Replacement
Retouch in Motion
No traceof the rescue
REPLACE
REMOVE
EXTEND
UNIFY
WHAT IT INCLUDES
Repairs and composites
for real footage.
Cleanup & object removal
Equipment, reflections, stray people, logos and set imperfections removed frame-consistently, so the shot reads as if they were never there.
Background replacement & extension
Skies, settings and set edges replaced or extended with plates that inherit the shot’s light and atmosphere.
Screen & label replacement
Screens, packaging and labels in motion updated with new artwork — refresh the film instead of reshooting it.
Retouching in motion
Garment, skin and product retouching carried into moving footage by the studio that retouches your stills — wrinkles, dust and distractions settled in every frame.
THE INVISIBILITY STANDARD
Success is when
nobody notices.
Feasibility before promises
Every shot is assessed on its own evidence — camera movement, occlusion, source quality — and scoped honestly before work begins.
Light, grain & motion agree
Inserted and repaired areas are matched for light direction, grain, blur and color, then graded as part of the whole shot.
Fashion-native judgment
Cleanup decisions — what is a flaw, what is character — are made by people who finish fashion imagery daily, not by a generic pipeline.
OUR PROCESS
Assessed shot by shot,
finished frame by frame.
Shot review
The shots and the problem list reviewed together; feasibility and approach confirmed per shot before production.
Cleanup & composite
Removals, replacements and extensions built and tracked across the full shot, not just its easy frames.
Integration grade
Composites unified with the film through the grading pass, so joins disappear under the campaign look.
Delivery
Finished shots returned inside the edited film or as completed shots for your own edit, to specification.
KNOW THE DIFFERENCE
Two compositing crafts,
one studio.
VFX on filmed footage — this service
Your real shots, repaired and recomposed: cleanup, removal, replacement and extension on footage that exists.
3D compositing & CGI scenes
Rendered products and digital environments built and composited as scenes — a different craft, offered under our 3D & CGI services.
This page covers VFX on footage you filmed: cleanup, removal, replacement and compositing performed on real shots. Our 3D compositing service covers rendered CGI elements built and integrated as digital scenes. Many projects use both — tell us about the shot and we will route it honestly to the right craft.
Often, yes — stray equipment, reflections, logos, people in the background, rigging and imperfections are routine removals. Feasibility depends on what is behind the object and how the camera moves, so shots are assessed individually and we confirm what is achievable before work starts, never after.
Yes — skies, settings and set extensions can be replaced or extended, and plates from your own locations or supplied imagery can be composited in. The result is then graded as one shot so light, grain and color agree across the join.
Yes — screens, labels and packshots in motion can be replaced with updated artwork, which is how brands refresh a film for a new market or a packaging change without reshooting. Tracking quality depends on the original shot, which we assess first.
The highest-resolution, least-compressed version you have. VFX expose weak sources quickly, so we review shots before quoting the work and tell you plainly if a shot’s source will limit the finish.
A SHOT THAT NEEDS SAVING?
Send the shot and the problem.
We will assess it honestly and tell you exactly what can be invisibly fixed.